Guitar · Level 6 · Intermediate
Secondary dominants in F♯ major on Guitar
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A secondary dominant is the V7 of a chord other than I. Turning vi into VI7 makes it pull strongly towards ii, adding forward motion.
F♯
Notes: F♯ · A♯ · C♯
D♯7
Notes: D♯ · F𝄪 · A♯ · C♯
G♯m
Notes: G♯ · B · D♯
C♯7
Notes: C♯ · E♯ · G♯ · B
HOW TO PRACTISE IT
Six steps to a clean loop.
- Play each chord on its own: F♯, D♯7, G♯m and C♯7. Press play on the chord card, then match the sound.
- Press just behind the fret with your fingertips and keep the thumb relaxed behind the neck.
- Set the tempo to 63 BPM and play the progression with one chord per bar. Hear how VI7 contains a note that is not in the key and wants to rise.
- Strum down on every beat at first, then try down–down–up–up–down–up.
- Raise the tempo to 84 BPM once you can play the loop three times without stopping.
- Record one take, listen back and check for the strong pull from VI7 into ii.
Listen for
Aim for the strong pull from VI7 into ii. A common mistake is playing VI7 as the minor vi out of habit.
Why it works
VI7 is V7 of ii. Its major third is the raised fifth scale degree, which resolves up a half step.
F♯ major has 6 sharps; its relative minor key is D♯ minor.
Questions
What are the chords in I–VI7–ii–V7 in F♯ major?
In F♯ major the progression is F♯ | D♯7 | G♯m | C♯7.
What is the key signature of F♯ major?
F♯ major has 6 sharps. Its relative minor is D♯ minor.
Is this lesson right for my level?
This is a level 6 lesson (intermediate). If it feels too hard, start with “The I–vi–ii–V turnaround”.
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