Violin · Level 9 · Expert
The jazz blues in C major on Violin
Don’t just read about The jazz blues in C major. Play it.
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The jazz blues dresses the 12-bar form with ii–Vs, a passing diminished chord and a turnaround. It is the first form most jazz players learn to solo over.
C7
Notes: C · E · G · B♭
F7
Notes: F · A · C · E♭
F♯dim7
Notes: F♯ · A · C · E♭
A7
Notes: A · C♯ · E · G
Dm7
Notes: D · F · A · C
G7
Notes: G · B · D · F
HOW TO PRACTISE IT
Six steps to a clean loop.
- Play each chord as an arpeggio, one note at a time: C7, F7, F♯dim7, A7, Dm7 and G7. Press play on the card, then match each note.
- Stay in first position: use the open string where you can and keep the fingers close to the string.
- Set the tempo to 75 BPM and play the progression with one chord per bar. Learn it four bars at a time, then connect the sections at tempo.
- Play the chord tones one at a time, one note per beat, with a full, even bow on each.
- Raise the tempo to 100 BPM once you can play the loop three times without stopping.
- Record one take, listen back and check for how each new chord leads into the next by step or by fifth.
Listen for
Aim for how each new chord leads into the next by step or by fifth. A common mistake is dropping the two-chord bars at the end of the form.
Why it works
Bars 8–10 form a chain of dominant resolutions: VI7 → ii7 → V7, borrowed from the circle of fifths.
C major has no sharps or flats; its relative minor key is A minor.
Questions
What are the chords in I7–IV7–I7–VI7–ii7–V7 in C major?
In C major the progression is C7 | F7 | C7 | C7 | F7 | F♯dim7 | C7 | A7 | Dm7 | G7 | C7 A7 | Dm7 G7.
What is the key signature of C major?
C major has no sharps or flats. Its relative minor is A minor.
Is this lesson right for my level?
This is a level 9 lesson (expert). If it feels too hard, start with “Tritone substitution”.
Your hands learn faster than your eyes.
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